About Holly Downing
Photograph by Jim Hair 1973
Holly Downing is a painter and printmaker who has been making mezzotints for over 50 years. She has been instrumental in the revival of this archaic engraving technique. Holly studied painting and printmaking at the University of California, Santa Cruz, and the Royal College of Art, London. She lived in the UK for 6 years where she received a National Endowment to research and make mezzotints. Her paintings and mezzotints have been exhibited in solo exhibitions in London, Edinburgh, Manila, Seattle, Chicago, San Francisco, San Jose, Santa Cruz, Santa Rosa, Fresno and Berkeley, California. Her work is in many national and international museum collections including the Library of Congress, New York Public Library, Fine Art Museums of San Francisco, Victoria and Albert Museum, Oxford’s Ashmolean Museum and the Bibliotheque Nationale, Paris.
Images of Holly Downing's work are included in The Mezzotint, History and Technique; by Carol Wax; Abrams; N.Y. 1990; and second edition, Schiffer Publishing, Ltd., PA 2023; Holly Downing, Twenty-five Years of Mezzotints 2001; Penumbrae: Holly Downing, Mezzotints and Paintings, Fresno Art Museum, California, 2010.
EDUCATION
1974-80 Residence in England
1978-80 MA in Fine Art, Goddard College; Graduate Program in England
1974-75 Graduate Program in Printmaking; Royal College of Art, London
1969-70 Paris; Independent Studies in Art History
1967-72 BA in Fine Art; University of California, Santa Cruz
Selected Solo Exhibitions
2019 Holly Downing, Paintings, 1821 Gallery, Fresno, California
2017 “In Praise of Indigenous Cultures”, paintings, Robin’s Café at ODC Gallery, San Francisco
2015 “Holly Downing Passageway Paintings”, Concourse Gallery, San Francisco
2014 “Holly Downing, Connections and Collaborations”, mezzotints, Mahoney Library Gallery, Santa
Rosa Junior College, Petaluma, California
“Draped”, paintings; Martin Luther King Library, San Jose State University, California
2013 “Peruvian Portals”, with poet David St. John, in the exhibit “Drawn to Language”, Fisher Museum
of Art, University of Southern California, Los Angeles
2012 Holly Downing, Paintings Drawings & Mezzotints, Eloise Pickard Smith Gallery, Cowell College,
University of California, Santa Cruz
2011 “Arch”, The Graham Foundation, Chicago
2010 “Holly Downing, Penumbrae: Paintings & Mezzotints, Fresno Art Museum, Fresno, California
(illustrated catalogue with essays by Donald Kuspit and Robert Johnson)
“Arch”, artist’s book with collaborator Jack Stauffacher, Donohue Rare Book Room, University of
San Francisco
“Arch”, Rosa Junior College Doyle Library, California
2009 “Luminous Shadows: Mezzotints & Paintings”, Quicksilver Mine Co., Forestville, California 2007 “The Printmaker as Painter” (two person) Larry Warnock Fine Arts, San Francisco
“Mezzotints & Recent Paintings”, Davidson Galleries, Seattle, Washington
2005 “Regional Paintings”, YWCA, Berkeley, California
2003 “Recent Paintings”, Bonnafont Gallery, San Francisco, California
2002 “Paintings”, West Wing Gallery, Sanchez Art Center, Pacifica, California
2001 “Twenty-five Years of Mezzotints”, Annex Galleries, Santa Rosa, California (catalogue raisonné)
1997 “Recent Paintings”, 550 California Street, San Francisco
1995 On The Wall Gallery, Medford, Oregon
1993 Ebert Gallery, San Francisco, ten year survey
1992 Ebert Gallery, San Francisco
1989 Citadel Print Center, San Jose, California
1986 Allport Gallery, San Francisco
1984 Annex Galleries, Santa Rosa, California
1980 Luz Gallery, Manila, Philippines
1978 Richard Demarco Gallery, Edinburgh, Scotland
1977 AIR Gallery, London
SELECTED AWARDS
2023 Juror’s Award, “Between Us and the Trees”, Center for the Arts, Eagle Rock, Los Angeles
2016 Visiting Artists and Scholars Program, American Academy in Rome, Italy
2015 Residency, Ucross Foundation, Wyoming
2012 Visiting Artists and Scholars Program, American Academy in Rome, Italy
2010 Prize, Washington D.C. Printmakers “Small Works” exhibition
2009 Grant, Graham Foundation, Chicago; for creation of an artist’s book
2007 Residency, Fundácion Valparaiso, Mojácar, Spain
Residency, Vermont Studio Center, Johnson, Vermont
2006 Residency, Montecastello di Vibio, Umbria
2005 Residency, Moulin à Nef, Auvillar, France
2004-21 Residency, Virginia Center for the Creative Arts, Amherst, and 2009, 2010, 2015,
2018, 2021
Elected to the Royal Society of Painter-Printmakers, London, U.K.
2003 Purchase Award, LAPS 17th National Print Exhibition, Pasadena, California
2002 Award, “Impressions”, Sebastopol Center for the Arts, California
2001 Juror’s Award, Pacific Rim International Print Exhibition, University of Hawaii, Hilo
Judith Banks Memorial Award, Sebastopol Center for the Arts, California
2000 Honorable Mention, 11th National Florida Printmakers, Exhibition, Miami
1999 Purchase Award, 43rd Print Exhibition, Hunterdon Museum of Art, Clinton, New Jersey
1998 Award, A”Wild Life” Amsterdam Art Competition and Exhibition, Berkeley, California
Award, “Homage and Inspiration”, Sebastopol Center for the Arts, California
1997 Barnhart Memorial Award, “Small Works”, California Museum of Art, Santa Rosa
1987 The Jacqueline and Jay Zemel Patron Award, The Print Club 63rd Annual, Philadelphia
Prize, The Print Club 59th Annual Competition, Philadelphia, Pennsylvania.
1983 Phelan Art Award for Printmaking, San Francisco
1980 Purchase Award, Barcham Green Printmaking Competition, U.K.
1979 Purchase Award, Cleveland International Drawing Biennale Purchase Award, U.K. Award.
Award, Miniature Print Exhibition, Space Gallery, Seoul, Korea.
1978 Arts Council of Great Britain, U.K., Artist’s Grant
1977 Greenshields Foundation Award, Canada, Artist’s Grant
1975-76 National Endowment for the Arts, Individual Artist’s Fellowship
Selected Group Exhibitions
2024 “About Prints”, curated by Anthony Kirk, Washington Art Association. and Gallery,
Washington Depot, Connecticut
“Nature as Muse”, Calabi Gallery, Santa Rosa, California
“Pulp: Book and Paper Arts”, juror Donna Seager, Sebastopol, California
2023 Douro XI Biennal International, Douro, Portugal
“Something Darkly”, curated by Kaaren Kunc, Constellation Studios, Lincoln, Nebraska
“FourSquared”, Arc Gallery, San Francisco
California Society of Printmakers, Piedmont Center for the Arts, California
“Between Us and the Trees”, Center for the Arts, Eagle Rock; Los Angeles, California,
Juror’s Award
“Resilience”, Sanchez Art Center, Pacifica, California
“Spotlight: The Printmakers”, Arc Gallery, San Francisco, California
2022 “5 Global Print 2022”, Douro, Portugal
“Warp and Weft”, Eloise Pickard Smith Gallery, Cowell College, University of California,
Santa Cruz
“Wild Life”, Eagle Rock Center for the Arts, Los Angeles
“Small Works”, Graton Gallery, Graton, California
“Art of the Book”, Seager Gray Gallery, Mill Valley, California
2021 “Extraction: Art on the Edge of the Abyss”, juror and exhibitor, Sebastopol Center for the Arts,
California
“Solastalgia: Book Arts and the Climate Crisis”, Minnesota Center for Book Arts
“Extraction: Art on the Edge of the Abyss”, Calabi Gallery, Santa Rosa, California
“Extraction: Response to the Changing World Environment”, Sanchez Art Center, Pacifica, CA
“Searching for Meaning”, Gallery Route One, Pt. Reyes, California
“World on Fire”, Eagle Rock Center for the Arts, Los Angeles
“One in a Year”, The Painting Center, New York City
2020 deYoung Museum Open Exhibition, San Francisco
“Pandemic” Sebastopol Center for the Arts, California
California Society of Printmakers Members, Piedmont Center for the Arts, CA
2019 IPCNY New Prints/2019 Summer, New York
National Open Print Exhibition, Bankside Gallery, London
“It’s All Good”, Calabi Gallery, Santa Rosa, California
“Black and White”, Sebastopol Center for the Arts, Sebastopol, California
“Parallels”, paintings, Agrella Art Gallery, Santa Rosa Junior College, California
“Regional Collective”, California Society of Printmakers, Janet Turner Print Museum, CSU Chico,
California
Codex Book Fair, Richmond, California
Kala Art Institute exhibition and auction, Berkeley, California
2018 “ClimART: Climate Action Exhibition”, Academy of Art University, Cannery Galleries, San
Francisco
“Art of Social Commentary”, Calabi Gallery, Santa Rosa, California
“48 Pillars”, Arc Gallery, paintings, San Francisco (catalogue)
“Bibliophoria V”, Sebastopol Center for the Arts, Sebastopol, California
“Air, Earth, Water”, Muckenthaler Cultural Center, Fullerton, California
Invitational, Graton Gallery, Graton, California
Kala exhibition and auction, Berkeley, California
2017 “We Shall Overcome”, Calabi Gallery, Santa Rosa, California
“The Universal Language of Birds”, Ucross Foundation Art Gallery, Clearmont, Wyoming
Codex Book Fair, Richmond, California.
Kala exhibition and auction, Berkeley, California
2016 “Gathering Fragments”, Mythos Fine Art Gallery, Berkeley, California
“2016, A State of Mind”, Boston Printmakers, Lamont Gallery, Exeter, New Hampshire
Prints, California Society of Printmakers, juror Karen Kunc, Isabelle Percy West Gallery, California
College of the Arts, Oakland
“Art of the Book” & “Printmaking Techniques”, Sebastopol Center for the Arts, California
2015 “10 Years at Moulin à Nef, VCCA Retrospective, Auvillar, France
“Views from the Hill”, Invitational Alumni Exhibition, Eloise Pickard Smith Gallery, University of
California, Santa Cruz
“Transitions”, paintings, curated by Patricia Watts, Marin Community Foundation, Novato,
California
Thirty Years of Printmaking, Robert Argrella Art Gallery, Santa Rosa Jr. College, California
Codex Book Fair, Richmond, California
“Art Inspired by the Natural World”, Calabi Gallery, Santa Rosa, California
“50 Artists from 5 Decades”, Porter Faculty Gallery, University of California, Santa Cruz
2014 “Print Facets, Six Centuries of Printmakers”, curated by Rebecca Michelman, The Curator
Gallery, Chelsea, New York, NY
"Redefining the Multiple", Gary Francis Fine Art Gallery, Alameda, California
"Palate to Plate", Boston Printmakers, Newport Art Museum, Rhode Island (catalogue)
"Ink, Press, Repeat", William Peterson University Galleries, Wayne, New Jersey (catalogue)
“STUDIO” curated by Bob Cornelis; Sonoma County Museum of Art, Santa Rosa, California
“Grand (Re)Opening Inaugural Exhibition, Cababi Gallery, Santa Rosa, California
2013 LAPS 21st National Print Exhibition, California State University, Northridge, California
Codex Book Fair, Richmond, California
“Memento Mori”, Calabi Gallery, Petaluma, California
“Kalassal”, Kala Art Institute, Berkeley, California
2012 “Noirs Velours”, mezzotint exhibition organized by Sud Estampe & PARC; Octon, France
“Inked Surfaces”, juror Archana Horsting, Kala Institute; Diablo Valley College, Califoirnia
“Last Hurrah”, Quicksilver Mine Co., Forestville, California
“Terroir”, Friesen Gallery, Sun Valley, Idaho
National Small Works, Washington D.C. Printmakers, Silver Springs, Maryland
“Field Guides and Fungi Lore”, Special Collections, University of California, Santa Cruz
International Mini Print Exhibition, Printmakers Council traveling exhibition, London, U.K., juror Gill Sanders, Curator of Prints, Victoria and Albert Museum, London (catalogue)
“Ink and Clay” Kellogg University Art Gallery, Cal Poly, Pomona, California
“PrintHouston: NEXT”, 4411 Montrose, Houston, Texas, juror Dena Woodall, Asst. Curator of Prints and Drawings, Museum of Fine Arts, Houston
2011 Calabi Gallery, Petaluma, California
“On View”, Kala Art Institute, Berkeley, California
“Boxed In”, Quicksilver Mine Co., Forestville, California
National Exhibition of Intaglio Prints, The National Arts Club, New York City
International Mezzotint Festival, Ekaterinburg, Russia (catalogue)
Codex Book Fair, Berkeley, California
“A Take on Nature”, Carnegie Gallery, Stanford University, California
“Small Work”, Artzone 461 Gallery, San Francisco
2010 Calabi Gallery, Petaluma, California
“The Art of the Book”, Donna Seager Gallery, San Rafael, California
Artzone 461 Gallery, San Francisco
“National Small Works”, Washington D.C. Printmakers, Silver Spring, Maryland
2009 Members, Royal Society of Painter-Printmakers, Bankside Galleries, London
2nd Qijiang International Prints Exhibition, China
“Field Report, Boston Printmakers”, Moss-Thorn Gallery of Art, Fort Hays State University, Kansas; Kellogg Art Gallery, Cal Poly, Pomona, California
2008 Artzone 461 Gallery, San Francisco
Prints, Museum of Modern Art, Nairobi, Kenya
“Manière Noire/ Mezzotint”, Atelier les Mille Feuilles, Quebéc, Canada
“Mezzotint Masters”, Larry Warnock Fine Art, San Francisco (book)
“Field Report, Boston Printmakers”, Gordon College, Wenham Massachusetts; Brickbottom Gallery, Somerville, Massachusetts
“Ink & Clay”; Kellogg Art Gallery; Cal Poly, Pomona, California
2007 “Art of the Mezzotint”, Ren Brown Gallery, Bodega Bay, California
“Looking at Architecture”, Ontario Airport, Los Angeles, California
“National Small Works”, Washington D.C. Printmakers, Washington D.C.
LAPS 19th International Print Exhibition, Riverside Art Museum, California (catalogue)
“Leaves from a Sketchbook”, Bankside Gallery, London
“Blue Print”, Center for Contemporary Printmaking, Newark, New Jersey
2006 Galleria, International School of Painting, Drawing, Montecastello di Vibio, Italy
LAPS juried members, Creative Arts Center, Burbank, Los Angeles, California
Members, Royal Society of Painter-Printmakers, Bankside Gallery, London
2005 “Dwellings”, Municipal Art Gallery, Barnsdale Park, Los Angeles, California
VCCA Studio, Moulin à Nef, Auvillar, France
Members, Royal Society of Painter-Printmakers, Bankside Gallery, London
“Contemporary California Mezzotints”, Collector’s Gallery, Oakland Museum
North American Print Biennale, Emmanuel College, Boston, Massachusetts
International Miniature Print Exhibition, Center for Contemporary Printmaking, Norwalk, Connecticut
2004 Prints, Stewart Gallery, Boise Idaho
48th National Print Exhibition, Hunterdon Museum of Art, Clinton, New Jersey
Motorola/Next Level, Rohnert Park, California
Members, Royal Society of Painter-Printmakers, Bankside Gallery, London
“Originals ‘04”, Mall Galleries, London
Anne Bradford Gallery, Healdsburg, California
2003 U.S.A. Prints 2003, Springfield Museum of Art, Springfield, Missouri
North American Print Biennale, Boston University, Boston, Massachusetts
LAPS 17th National Print Exhibition, Armory Center for the Arts, Pasadena, California (catalogue)
Prints, Stewart Gallery, Boise, Idaho
2002 “Works on Paper”, Louisiana State University, Baton Rouge
“National Small Works”, Washington Printmakers, Washington D.C.
“Pacific Prints”, Pacific Art League, Palo Alto, California
2001 “Vanishing Landmarks”, 3 painters, Quicksilver Mine Co., Sebastopol, California
Pacific Rim International Print Exhibition, University of Hawaii, Hilo, Hawaii
“Arts on Fire”, paintings, Sanchez Art Center, Pacifica, California
“Between Light & Shadow”, the Gary Bettis Collection, Boise Art Museum, Idaho
2000 11th National Florida Printmakers Exhibition, New World School, Miami
Next Level Communications, Rohnert Park, California
“Day of the Dead”, A Street Gallery, Santa Rosa, California
1999 “Mezzotints”, Vorpal Gallery, San Francisco, California
43rd National Print Exhibition, Hunterdon Museum of Art, Clinton, New Jersey
“Art of the Ordinary”, Sebastopol Center for the Arts, Sebastopol, California
1998 “Treasures”, Bradford Smock Gallery, San Francisco
Mezzotints from the collection of Derby Fine Arts, Chicago; Holland, Michigan
Amsterdam Art Exhibition, Fort Mason, San Francisco
“International Mezzotints”, Davidson Galleries, Seattle, Washington
LAPS 15th National Print Exhibition, Loyola Marymount University, Los Angeles (catalogue)
1997 “Small Works”, California Museum of Art, Santa Rosa
“Visions” and “Resolutions”, Bradford Gallery, San Anselmo, California
1996 Faculty Prints, Kala Institute, Oakland, California
“Landscapes - Under a Foot”, Bradford Gallery, San Anselmo, California
"Mezzotint, Art of Darkness", New Orleans Museum of Art, Louisiana (catalogue)
1995 “Taking Flight”; Patricia Stewart Gallery, Napa, California
1994 " Contemporary Mezzotints", curated by Carol Wax; Bradley University, Peoria, Illinois 1993 “Landscapes”, California Museum of Art, Santa Rosa
“West Coast Edition Printmakers”, Claudia Chapline Gallery, Stinson Beach, California
“Taking Flight”, Califia Books, San Francisco
1992 “Mezzotints: Yesterday and Today”, Stanford University Art Museum
“Black and White”, Ebert Gallery, San Francisco
“The Saga Show”, Portland Art Museum, Oregon
1990 "The Mezzotint", Sylvan Cole Gallery, New York
“Faculty Paper”, paintings, Santa Rosa Junior College, California
"The Making of a Print", Delaware Center for the Contemporary Arts, Wilmington
1989 "From Dark to Light :Contemporary Mezzotints", Sacred Heart, Menlo Park, California
"Exemplary Contempor'y" The Eloise Pickard Smith Gallery, University of California, Santa Cruz
1987 “Prints”, World Print Council, San Francisco
"North of the Gate", Sonoma State University Gallery, Rohnert Park (catalogue)
1986 "Drawing: A Classical Continuum", Los Angeles Municipal Art Gallery (catalogue) Frechen International Print Biennale, Frechen, W. Germany (catalogue)
1985 Drawings, Marilyn Pink, Los Angeles
Drawings, Allport Associates, San Francisco
1984 New Gallery Artists, Soker Kaseman Gallery, San Francisco
“International Mezzotints”, Pratt Manhattan Center Gallery, New York
International Mezzotints, Oxford Gallery, Oxford, England
1983 "Recent Acquisitions", Achenbach Foundation for Graphic Arts, Palace of the Legion of Honor, San Francisco (catalogue with essay by Robert Flynn Johnson)
Phelan Art Award Recipients, World Print Council, San Francisco
Frechen International Print Biennale, Frechen, W. Germany
1982 "Mezzotints", World Print Council, San Francisco
"Subjective Realities", Achenbach Foundation for Graphic Arts, Palace of the Legion of Honor, San Francisco (catalogue)
Mini Print International, Cadaques, Spain
Cabo Frio International Print Biennale, Brazil
1981 “Heads or Tails”, Newcastle Upon Tyne and Neal Street Gallery, London
International Exhibition of Small Graphic Forms, Lodz, Poland
National Print Workshop Exhibition, Crescent Art Gallery, Scarborough, England
Seoul International Print Biennale, Seoul, Korea
Dealer’s Choice, Artefact Gallery, London
1980 International Biella Prize for Prints, Biella, Italy
Cracow International Print Biennale, Cracow, Poland (catalogue)
World Print III, and traveling exhibition, San Francisco (catalogue)
Listowel International Print Biennale, Listowel, Ireland
SELECTED BIBLIOGRAPHY
2023 The Mezzotint, History and Technique, 2nd edition; Carol Wax; Schiffer Publishing, Ltd.; PA
2022 EXTRACTION: Art on the Edge of the Abyss, edited by Robin Dintiman, catalogue, Sebastopol
Center for the Arts, California
Madrone Project, Human Communities in Wild Places”; Volume II, Number 2, January,
published by Empty Bowl.
The Art of the Book, catalogue, Seager/Gray Gallery, Mill Valley, California
2021 Extraction: Response to the Changing World Environment”, catalogue, California Society of
Printmakers, exhibitions at Gallery Route One, Pt. Reyes, California and Sanchez Art Center, San
Francisco
2019 As 1821 Gallery Bids Adieu, A Focus on Holly Downing, by Donald Monro, November 7, 2019
2018 “This World of Shadows” article about A Kerosene Beauty in “Verso”; July, Melbourne, Australia
2014 “Print Facets, Five Centuries of Printmakers”, catalogue, to the exhibition, The Curator Gallery, Chelsea, NY
“Drawn to Language”, Art Ltd.; review by Betty Ann Brown; Los Angeles; Jan/Feb.
“ Palate to Plate”, Boston Printmakers, Newport Art Museum, Rhode Island
2013 “Drawn to Language”, exhibition catalogue and interview; Fisher Museum of Art, University of Southern California, Los Angeles.
“Drawn to Language”, Art Scene, by Diane Calder; Los Angeles
“STUDIO: 50 Sonoma County Artists”; photographs and publication Bob Cornelis
“California Society of Printmakers: 100 Years”; Maryly Snow editor, Sylvia Solocheck Walters, asst. editor; California Society of Printmakers, San Francisco.
2010 Holly Downing, Penumbrae: Paintings & Mezzotints, Fresno Art Museum, illustrated catalogue, essays by Donald Kuspit and Robert Flynn Johnson.
“Solitude”, The Fresno Bee, Fresno, California, by Donald Munro, October 8.
2009 “Printmakers’ Secrets”; illustrated book, Anthony Dyson, Royal Society of painter-Printmakers, A & K Black Publishers, London.
Holly Downing, Preview at Quicksilver Mine Co., by Deborah Koppman, Artweek, vol. 40, #2, March.
2008 “Mezzotint Masters”; illustrated catalogue; Larry Warnock Fine Arts; San Francisco.
2006 “Printmakers, The Directory”, The Royal Society of Painter-Printmakers, A & C Black, London. “Sebastopol Impressions 2006” by Dan Taylor, Press Democrat, March 23, 2006.
2004 Printmaking Today; London; vol. 13, No. 2, Summer 2004.
2002 “New Sanchez Exhibit”, Pacifica Tribune, Pacifica, California, Feb 2.
2001 “Holly Downing at the Annex”, by Sandy Thompson, Artweek; San Jose, CA, vol. 32, #10, October.
Holly Downing 25 Years of Mezzotints 1975-2000; illustrated catalogue raisonne; forward Robert
Flynn Johnson.
1999 The Sunday Star-Ledge, review by Dan Bischoff, Clinton, New Jersey, June 20
1996 Mezzotint, Art of Darkness; catalogue; essays Carol Wax & Earl Retif; New Orleans Museum of Art, Louisiana.
1992 “Contemporary Printmaking”; Artweek; Oakland, California; vol. 23, #27, November 5 1993.
Video of lecture demonstration on Mezzotints to Graphic Arts Council, Stanford University, California.
1990 The Mezzotint: History and Technique; Carol Wax, Harry N. Abrams, Inc., New York.
1984 "International Mezzotint Competition", The Print Collector's Newsletter; Vol. XV, No. 4; Sept.-Oct.
1983 "Curator Goes Out on a Limb" by Thomas Albright; San Francisco Chronicle; San Francisco; May 26.
"The Phelan Awards" by Frank Cebulski; Artweek; Oakland, California; vol. 14, #28, August 27.
1982 "7 Artists Who Are Drawing Attention" by Al Morch; San Francisco Examiner; San Francisco; June 7.
Subjective Realities; catalogue; curated by Robert Flynn Johnson; Fine Arts Museums of San Francisco.
1981 “Artists' Views of the Decade 1970-80”; Art International; London; No. 22, March.
1978 "Five Views of Nature and The Nature of Life"; by Leslie Myers; Artweek, Oakland, CA; vol. 9, #12, June
“Contemporary Mezzotints”, video of slide/lecture demonstration; Brighton Polytechnic, U.K.
”Celebration of the Apple at the Richard Demarco Gallery”, Edward Gage; The Scotsman; Edinburgh, Scotland, December 4.
PUBLIC COLLECTIONS
Achenbach Foundation, Fine Arts Museums, San Francisco, California
Bancroft Library, University of California, Berkeley, California
Art Exhibitions Bureau, Lodz, Poland
Arts Council of Great Britain, London
Ashmolean Museum, Oxford, England
Bibliotheque Nationale, Paris
Chi-ba Art Museum. Chi-ba, Japan
City of Bath Art Gallery, Bath, England
Clydesdale Bank, Glasgow, Scotland
Continental Bank, Chicago
Department of the Environment, London
Derby Fine Arts, Ltd, Chicago, Illinois
Dundee Art Gallery, Scotland
Ekaterinburg Museum of Arts, Ekaterinburg, Russia
Fisher Museum of Art, University of Southern California, Los Angeles
Graham Foundation, Chicago, Illinois
Hawaii State Art Museum, Honolulu
Letterform Archive, San Francisco, California
Library of Congress, Washington DC
Luz Gallery, Manila, Philippines
New York Public Library
Mount Holyoke College, Massachusetts
Northern Arts Association, England
Northampton Museum, England
Nakasatsunai Art Museum, Hokkaido, Japan
Oberlin College, Ohio
Portland Art Museum, Portland, Oregon
Reva and David Logan Foundation, Chicago, Illinois
Royal Society of Painter-Printmakers, London
San Francisco Public Library, California
Santa Rosa Community College, California
Scottish National Gallery of Art, Edinburgh, Scotland
Selkapet Kunst pa Arbeidsplassen, Norway
University of California, Santa Barbara
Towner Eastbourne, U.K.
South East Arts Association, England
Southampton University, England
Stanford Museum of Art, Stanford, California
Sanford University Library, Special Collections, California
University of Alberta, Canada
University of California, Special Collections, Santa Cruz
University of Hawaii, Hilo
University of Reading, England
University of Washington, Seattle
Victoria & Albert Museum, London
Yale University, Beinecke Rare Book Library